A noted authority on performance practice and period instruments, Mark Kroll has written on a wide range of subjects, including French harpsichord music, 17th-century keyboards, historical performance practice, contemporary music, the art of transcription, the music of Avison, Couperin, Geminiani, Beethoven, Hummel, Moscheles and Liszt, and music for film. He is currently the book review editor for Early Music America and editor-in-chief of the Historical Harpsichord Series of Pendragon Press.


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